10/3

Gov''''''''t Mule

$25 - $76.50 | All Ages | 7 pm

BUY TICKETS!
Gov''''''''t Mule

MORE INFO COMING SOON!



    10/6

    J Roddy Walston & the Business

    Fly Golden Eagle
    Hembree

    $15 | All Ages | 8 pm

    BUY TICKETS!
    J Roddy Walston & the Business

    The third album from J. Roddy Walston & The Business, Essential Tremors borrows its name from a nervous-system disorder that’s long plagued the band’s frontman. “It’s this condition where my hands shake―sometimes not at all, but sometimes pretty bad,” says singer/pianist/guitarist Walston. “I’ve referenced it throughout all our records in some way, but it made sense to be more open about it on this album, which is partly about owning and embracing your weirdness instead of letting it hold you captive because you don’t even want to talk about it.”

    For J. Roddy Walston & The Business―who formed in 2002 in Walston’s hometown of Cleveland, Tennessee―embracing weirdness means a mumble-out-loud celebration of that great and terrible burden of being human. Forcing the oft-clashing worlds of art and rock-and-roll to make nice, the band (including guitarist/vocalist Billy Gordon, bassist/vocalist Logan Davis, and drummer Steve Colmus) deals in a scrappy yet sublime sound that honors both their Southern roots and punk spirit. On Essential Tremors, J. Roddy Walston & The Business builds off that formula with a mix of heavy hooks and elegant melodies revealing their affinity for artists as disparate as Led Zeppelin, pre-disco-era Bee Gees, The Replacements, Randy Newman, and the Southern soul outfits that once populated the Stax Records label. Co-produced by Matt Wignall (Delta Spirit, Cold War Kids) and Grammy-winning producer/engineer Mark Neill (The Black Keys) at Neill’s own Soil of the South Studios (a Valdosta, Georgia-based facility where J. Roddy Walston & The Business were the first to ever record), the follow-up to 2010’s much-acclaimed self-titled sophomore album also finds the band crafting lyrics that ultimately serve as a secret language to the initiated listener.

    OUR LINKS


    Fly Golden Eagle

    MORE INFO COMING SOON!



      Hembree

      MORE INFO COMING SOON!



        10/7

        J Mascis

        Luluc

        $17 - $19 | All Ages | 8 pm

        BUY TICKETS!
        J Mascis

        It’s all but inconceivable that J Mascis requires an introduction. In the quarter-century since he founded Dinosaur (Jr.), Mascis has created some of the era’s signature songs, albums and styles. As a skier, golfer, songwriter, skateboarder, record producer, and musician, J has few peers. The laconically-based roar of his guitar, drums and vocals have driven a long string of bands – Deep Wound, Dinosaur Jr., Gobblehoof, Velvet Monkeys, the Fog, Witch, Sweet Apple – and he has guested on innumerable sessions.But Several Shades of Why is J’s first solo studio record, and it is an album of incredible beauty, performed with a delicacy not always associated with his work.

        Recorded at Amherst Massachusetts’ Bisquiteen Studios, Several Shades is nearly all acoustic and was created with the help of a few friends. Notable amongst them are Kurt Vile, Sophie Trudeau (A Silver Mount Zion), Kurt Fedora (long-time collusionist), Kevin Drew (Broken Social Scene), Ben Bridwell (Band of Horses), Pall Jenkins (Black Heart Procession), Matt Valentine (The Golden Road), and Suzanne Thorpe (Wounded Knees). Together in small mutable groupings, they conjure up classic sounds ranging from English-tinged folk to drifty, West Coast-style singer/songwriterism. But every track, every note even, bears that distinct Mascis watermark, both in the shape of the tunes and the glorious rasp of the vocals.

        “Megan from Sub Pop has wanted me to do this record for a long time,” J says. “She was very into it when I was playing solo a lot in the early 2000s, around the time of the Fog album [2002's Free So Free]. She always wanted to know when I’d do a solo record. [Several Shades of Why] came out of that. There are a couple of songs that are older, but the rest is new this year. And it’s basically all acoustic. There’s some fuzz, but it’s acoustic through fuzz. There’re no drums on it, either. Just one tambourine song, that’s it. It was a specific decision to not have drums. Usually I like to have them, but going drum-less pushes everything in a new direction, and makes it easier to keep things sounding different.”

        There is little evidence of stress on Several Shades of Why. The title track is a duet with Sophie Trudeau’s violin recalling Nick Drake’s work at its most elegant. ‘Not Enough’ feels like a lost hippie-harmony classic from David Crosby’s If I Could Only Remember My Name. ‘Is It Done’ rolls like one of the Grisman/Garcia tunes on American Beauty. ‘Very Nervous and Love’ has the same rich vibe as the amazing rural side of Terry Reid’s The River. And on and on it goes. Ten brilliant tunes that quietly grow and expand until they fill your brain with the purest pleasure. What a goddamn great album.

        OUR LINKS


        Luluc

        MORE INFO COMING SOON!



          10/8

          Slow Magic

          Kodak To Graph
          Daktyl

          $11 - $13 | All Ages | 8 pm

          BUY TICKETS!
          Slow Magic

          MORE INFO COMING SOON!



            Kodak To Graph

            Allured by pulsing incantations of cassette grain and VHS blips, live instrumentation and other found sounds, Kodak To Graph's Michael Maleki (22), delicately floats listeners through blooming clouds of synth-washes, haunting reverberations and propulsive rhythms.
            Maleki's candle-waxed R&B and flower-trailed soundscapes weave together the nostalgic tones and colors reminiscent of a quiet childhood with the urban bounce and rhythmic disposition of the more modern spirit.

            OUR LINKS


            Daktyl

            MORE INFO COMING SOON!



              10/9

              Mike Doughty

              Question Jar Show

              $15 | All Ages | 7 pm

              BUY TICKETS!
              Mike Doughty

              Mike Doughty contains multitudes: Singer. Songwriter. Guitar player. Poet. Author. Playwright. Photographer. Most Improved Camper, West Point Youth Camp, 1982. He's released five solo albums, some EPs, a covers album, a couple of live albums, a bunch of EDM tracks and remixes, a poetry book, and a memoir about that time he was in a band called Soul Coughing and didn't like it and took a lot of drugs. He most recently released "Circles Super Bon Bon...," an album of re-imagined Soul Coughing songs recorded with the hip-hop/house DJ Good Goose, in September 2013.

              OUR LINKS


              Question Jar Show

              MORE INFO COMING SOON!



                10/11

                Big Gigantic

                The Floozies
                Manic Focus

                $22.86 - $69.96 | All Ages | 7 pm

                BUY TICKETS!
                Big Gigantic

                CONTACT
                Big Gigantic is…
                Dominic Lalli - Producer/Sax
                Jeremy Salken - Drums

                OUR LINKS


                The Floozies

                Just outside the jazz mecca of Kansas City springs liberal oasis Lawrence, Kansas—separated only by the waves of wheat from the epicenter of the electronic music revolution in Colorado. From Lawrence, it would logically follow that an act could rise to prominence fueled by the swing of Basie, the birth of Charlie Parker’s bebop, and the wild frontier of electronica. Born in funk and bred in the digital age, live electronic duo The Floozies have burst onto the scene at a time when the industry needed them the most.

                Brothers Matt and Mark Hill share the stage just as easily as they share a musical brain. Without a setlist, and without a word between them, Matt’s guitar is in lockstep with the thud of Mark’s kick. Endless looping and production builds the raw scenery upon which palm muted chugs, searing solos, and wobbling bass paint their dazzling array of colors.

                Well versed in everything from Chris Cornell to Kavinsky, the sonic vision shared by the brothers eschews contemporary electronic influences in favor of broader, deeper tastes including Zapp & Roger, Lettuce, and Amon Tobin. That wide-angle view of a century of popular music allows the Hills to remix Toto and The Dead—in the music you can hear reverence for the giants of the past, all the while producing wildly futuristic tunes for the masses to dig now.

                When the pendulum swung as far as it could away from live instrumentation to laptops, The Floozies rose up to the challenge, swinging as hard as they could in the other direction with neck-snapping, knee-breaking funk so dirty that the gatekeepers stood up, wiped themselves off, and took notice. A bold live show full of sonic exploration and unbreakably deep pocket grooves has landed the brothers on stage with luminaries of the jam world Umphrey’s McGee as readily as electronic elites GRiZ and Big Gigantic. A nationwide tour with Archnemesis and Wick-it The Instigator cemented the duo’s ascent while major festival appearances at Wakarusa, Summer Camp, Kanrocksas, and Sonic Bloom dot the horizon.

                The Floozies are bringing the funk back, and they’re right on time.

                OUR LINKS


                Manic Focus

                Manic Focus is the musical conception of John “JmaC” McCarten that breaks the bounds of the typical electronic music realm. Being classically-trained on piano at an early age, his musical talents have brought him through the realms of hip-hop beats and electronic music, having now evolved into the dynamic, bass-induced sounds of Manic Focus. A Minnesota native and recent transplant to Chicago, this producer is blowing up the EDM scene.

                Manic Focus isn't your typical electronic dance music. His first album, Definition of the Rhythm, provides a broad array of tracks, from energized electro hip-hop to tranquil, melodious grooves. His deep bass lines and popping beats drive the tracks along, while spellbinding melodies and carefully-chosen vocal samples entrance the listener. The essence of Manic Focus lies within his flawless production, weaving together rhythms and effects to create a sheer masterpiece every time.

                His second album, Expanding Mind, showcases how Manic Focus is broadening his spectrum, going from dark, majestic sounds toward a funky, bass-laden dance vibe. Now dipping into the realms of house, drum & bass, and glitch-hop, Manic Focus is exploring new genres and continuing to produce pure musical magic along the way.

                With continuous new releases and dates stacking up across the country, Manic Focus is on pace to take the music industry by storm. The talents of this producer create a spell-binding effect that only further showcases the evolution of his undeniable musical ability.

                OUR LINKS


                10/13

                Ingrid Michaelson

                Neulore

                $23 - $3.90 | All Ages | 7 pm

                BUY TICKETS!
                Ingrid Michaelson

                In the past two years, Ingrid Michaelson -- who'll drop her fifth studio album, "Lights Out" (Cabin 24/Mom+Pop) on April 15 -- has vaulted from overachieving indie-pop sweetheart to a bona-fide pop star. Her last release, "Human Again," debuted at No. 5 on the Billboard album chart (plus No.1 on iTunes).

                This achievement merely crowned the considerable success Ingrid had already earned with her previous compositions: beautiful, idiosyncratic songs that have been prominently featured in popular films, television and on regular rotation in commercials. Her DIY approach to making music -- composing her own songs, co-releasing albums on her Cabin 24 imprint, building an organic following through music-licensing, and back in her MySpace days (where she was discovered in 2006), promoting herself -- was a slam-dunk. Now, it had evolved into a well-oiled machine, The New York Times even weighed in, declaring her songwriting "smart," her tunes "irresistible" and her live show "seamless."

                Then, says Ingrid, "Everything just came to a screeching halt." While helping out seriously ill relatives, her dog died. Soon after, Ingrid herself fell sick with serious stomach issues. "My whole throat was on fire for a few months. I had to stop writing," she says, of the time between April and August 2013. "I was so ill, I couldn't sing." After seeing countless doctors -- "like, three a day" at its worst -- she got better and was able to resume writing "Lights Out." For someone associated with crafting sunny tunes about escapism, a creative detour into dusk seemed almost inevitable.

                Technically, "Lights Out" refers to the two words uttered on Ingrid's tour bus when everyone's ready to call it a night. But given recent developments, it's become a metaphor for contemplating mortality and letting go -- themes more thoughtful than they are dark. The album builds into intensity, but is anchored by the swelling pop-affirmation "Time Machine" and the sweetly buoyant "Girls Chase Boys," which fits squarely into her existing catalog. "We thought of that song as the bridge for people. I'm still respecting what people want, but showing them what I can do," she explains, adding: "Some of the songs, like 'Over You,' are written to sound like relationship-y songs, but they're not."

                The ethereal "Handsome Hands" is arguably "Lights Out"'s most left-of-center offering. "The song is about death, but it's also about the higher power," she explains. "In moments of desperation, even the most non-religious people pray. When you're pushed to your limits, you look for help from something other than yourself." Similarly, "Wonderful Unknown" is a positive, if beguiling narrative about the fears and uncertainties of growing old with your spouse, which she delivers in a lower register. An after-effect of her illness? "I don't think I've lost part of my voice," she explains, "but my voice has somewhat changed."

                Perhaps more dauntingly, "Lights Out" also marks Ingrid's entry into a brave new world of songwriting. Recorded in New York, Los Angeles, and Nashville, the album features six producers and ten co-writers, including singer-songwriters Katie Herzig and Trent Dabbs, as well as the very in-demand Busbee (Pink, Katy Perry, Lady Antebellum). "With every other record, I've always written all of the songs. I've worked with one producer. And we've stayed in one room," she says. "I've been such a control freak about my songs! But if you can get with the right person, there are ideas you could never come up with. It totally opens doors."

                And with opportunity comes meaningful change. "It's funny. It doesn't even feel like I wrote 'The Way I Am,'" Ingrid says of her platinum break-out single, recorded seven year ago. "It's a memory." She'll continue to perform it live as she tours "Lights Out" -- just stripped-down, recasting the flittering ditty into something weightier. "It feels like a little girl wrote that song. So much has happened to me in life."

                OUR LINKS


                Neulore

                MORE INFO COMING SOON!



                  10/15

                  Dopapod

                  Tauk

                  $10 | All Ages | 8 pm

                  BUY TICKETS!
                  Dopapod

                  Dopapod is not so much a jam band as they are a band that improvises. They are an electronic band without computers. They are a metal band with groove and soul. They are a funk band that’s not afraid to get intricate. With no regard towards toward stylistic boundaries, the sound that emerges from the quartet both live and in the studio is as varied and diverse as the many influences that they adapt from. Their approach to complementing a distinct genre bending sound to top-notch musicianship is what has kept the quartet committed to evolving their unique brand. This progressive song writing leaves room for boundless improvisational exploration and has been the root of why more and more music lovers are steadily growing in numbers eagerly returning for more.

                  In the past three years, Dopapod has been tirelessly planting its seed in ears throughout the entire East Coast and into the Midwest with their infectious and sensory live performances. Covering all this ground has seen the young, yet seasoned group make appearances at numerous festivals including Camp Bisco, Mountain Jam, Gathering Of the Vibes, Bonnaroo, Burning Man, Catskill Chill, Bear Creek, The Big Up, Rootwire, and more. Their electric live showcase has been cultivating a fast growing, loyal fan base, and seen them share bills with artists such as Moe, Lotus, EOTO, Papadosio, Zach Deputy, Sam Kininger (Lettuce, Soulive), and Carl Palmer (Emerson, Lake, & Palmer).

                  Redivider is Dopapod’s third studio effort. Having been recorded and released less than a year after the band’s last record Drawn Onward came out, recording was done at Tyrone Farm, a scenic and completely solar powered farm in the small town of Pomfret, CT. Opting to take a different route than recording in a studio, the band brought their own to the barn of the farm and produced it by themselves. Redivider displays a drastic evolution in the band’s songwriting skills as well as marking the first time ever that the band has added vocals into songs. The added texture serves as yet another dimension in what allows the band to look in multiple directions at one time while remaining focused on a cohesive blend of sound.

                  OUR LINKS


                  Tauk

                  MORE INFO COMING SOON!



                    10/16

                    Odesza

                    Ambassadeurs
                    Hayden James

                    $12 - $15 | All Ages | 8 pm

                    BUY TICKETS!
                    Odesza

                    In 2012, a striking new voice emerged from the wider surge of electronic music in the U.S. ODESZA’s Summer’s Gone stood out from the crowd; it was a collection of songs, not just beats; and its irresistible, startling dreaminess, addictive drums and fathoms-deep bass set it apart from the by-the-numbers brutality of EDM’s also-rans. In an age of manufactured internet buzz and carefully plotted hype, ODESZA’s story was refreshingly authentic: A brilliant new duo unveiled their music on the internet, and the world paid attention.

                    Harrison Mills (aka CatacombKid) and Clayton Knight (aka BeachesBeaches) began recording together after meeting at Western Washington University. There was instant chemistry, and the pair worked prolifically, quickly carving out a distinctive, heady sound: glitched-out vocals, soaring, visceral melody and ear-gripping drums. Two songs from Summer’s Gone – “How Did I Get Here” and “iPlayYouListen” – instantly leapt to number 1 on the Hype Machine Popular Chart. ODESZA began to make evangelical fans, with word of their music setting the world – both real and virtual – alight.

                    2013 saw the release of the My Friends Never Die EP, with three of the five tracks hitting #1 on Hype Machine. Relentless touring followed, including dates with Pretty Lights, Emancipator, Michal Menert, and performances at Sasquatch Music Festival, Lightning In A Bottle, What The Festival, Summer Meltdown, Capitol Hill Block Party, MusicfestNW, Decibel Festival and Symbiosis Gathering. Thrown in at the deep end, ODESZA quickly honed a live craft to match that of their recordings.

                    The duo was playing to larger and larger crowds when Pretty Lights asked them to be the support act on the fall Pretty Lights tour, and to remix "One Day They'll Know," which also hit #1 on Hype Machine and #8 on the iTunes Electronic Chart. Later in 2013, ODESZA selected their favourite producers for a follow up remix EP, My Friends Never Die Remixes, and launched the ambitious, ongoing mixtape series NO.SLEEP.

                    February 2014 brought the release of the ODESZA single “Sun Models (feat. Madelyn Grant,)” taken from the duo’s forthcoming second album. This song continued the trend they’d set previously, and it too hit #1 on Hype Machine. In March 2014 ODESZA’s remix of Pretty Lights’ “Lost And Found” was released on the DIVERGENT movie soundtrack, and (you guessed it!) hit #1 on Hype Machine.

                    Harrison and Clayton headed back into the studio, putting the finishes touches to their forthcoming second album, before setting out on a sold out North American tour in Spring, culminating in a performance at Coachella. Not wanting to leave their growing legion of fans wanting, the duo’s remix of ZHU’s hit “Faded” was released, taking their #1s on the Hype Machine chart straight into double figures.

                    Summer 2014 saw ODESZA visit Australia to play a series of live dates, before heading back to North America for festivals, and to polish up and master their now hotly anticipated sophomore album.

                    And finally that brand new album is here. In Return has more than just delivered on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py and Shy Girls accompany that of Madelyn Grant on Sun Models, expertly worked into ODESZA’s trademark, mood-altering uplift.

                    ODESZA are set to tour the album throughout the fall, playing long runs of sold out dates across the U.S and Europe. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album – and a host of like minded artists are busily remixing the singles.

                    One of the stunning aspects of ODESZA is the speed with which they’ve created a large, devoted fanbase – testament to just how refreshing, immediate and exciting their music is. ODESZA has amassed over 15 million SoundCloud streams, at an average of 500,000 per week. They’ve picked up 7.5 million Spotify plays, and been licensed by Adidas, GoPro, Piz Buin and many more.

                    That’s a lot of people who’ve been waiting on the new album. Luckily for them, In Return is everything fans might have hoped for and then some: An album that places ODESZA firmly in the vanguard of electronic music’s coming of age.


                    "ODESZA's...'iPlayYouListen'...fits firmly in the goopy electro-camp of acts like Purity Ring and Chvrches, where ebullient production floats on a stormy, synthy sea, where bright notes reflect even brighter off the water" -The FADER

                    "Their new jam, 'My Friends Never Die,' feels like crashing down a waterfall on a bouquet of roses with Flying Lotus as your chauffeur. These are stoner jams to smack your bubblegum to -- full of hip-hop grooves and sunshine." - Vice's Thump

                    "Accented by a pretty piano riff, the graceful track ['Home'] takes its time while taking your brain on a calm ride, eventually getting comfy under a sexy bass-and-snap drumbeat." - Interview Magazine

                    "Harrison Mills and Clayton Knight have spent the last couple years creating dreamy instrumental hip-hop as Catacombkid and BeachesBeaches, respectively. And while Catacombkid's late-night beauty feels counterpoint to Beaches' sunny bliss - together, as ODESZA, they create a world where both exist in gorgeous harmony." - Stereogum

                    OUR LINKS


                    Ambassadeurs

                    MORE INFO COMING SOON!



                      Hayden James

                      MORE INFO COMING SOON!



                        10/18

                        Spankalicious

                        Azoic Realm
                        DJ N8
                        Kraang

                        $11 - $13 | All Ages | 7 pm

                        BUY TICKETS!
                        Spankalicious

                        Making his mark on the electronic music scene in the Midwest with the high energy that he brings to the stage, creating the vibe needed to get the rage started! Kevin Moore (aka: Spankalicious) is currently based out of St. Louis, Missouri. Coming from an extensive background in rudimental percussion/drumming have allowed Spank to read rhythms inside and out. Shown through scratching, drumming, as well as seamlessly blending and mixing. Spankalicious thrives on taking the crowd through a musical journey that always brings many flavors of emotion to the party. A hefty line of residencies, as well as extensive tour experience, have rounded Spank to be a self proven party rocker! In 2009 he co-billed with Ana Sia, Eoto, Vibesquad, Big Gigantic. Thus far in 2010 he has played alongside cutting edge headliners such as Pretty Lights, Bassnectar, CASPA, The Glitch Mob, Brother Ali, Boombox, Eskmo, Marty Party, Dubskin, Break Science, Kraddy, Mimosa, SAVOY, Two Fresh, Emancipator, Ott, Virtual Boy, and Elliot Lipp. He served as the host of the Wakarusa Dj Classic in Columbia and St. Louis, Mo. In June of this year he was voted "Best Dj in St. Louis" by the River Front Times annual readers poll/music showcase. Festival appearances include: Summer Camp Music Fest, Wakarusa's Interstellar Meltdown, Bassnectar's First Bass Center in Colorado, Underground Sound 6, Immix Fest, Tall Tree Lake Fest, and Schwagstock 45 at Camp Zoe.

                        OUR LINKS


                        Azoic Realm

                        MORE INFO COMING SOON!



                          DJ N8

                          MORE INFO COMING SOON!



                            Kraang

                            MORE INFO COMING SOON!



                              10/19

                              Tribal Seeds

                              Ballyhoo!
                              Gonzo

                              $15 - $17 | All Ages | 8 pm

                              BUY TICKETS!
                              Tribal Seeds

                              From San Diego, California, award-winning reggae group Tribal Seeds have become known for their spiritually driven, refreshing rock vibe they have infused with the roots style of reggae music. Originally started by two brothers, Steven Rene Jacobo [lyrics, lead vocals, rhythm guitar] and Tony-Ray Jacobo [producer, keyboard player], Tribal Seeds now boats six members, including: Tony Navarro [lead guitar], Carlos Verdugo [drums], Jose Rodriguez [keys, percussion], and Victor Navarro [bass].
                              Tribal Seeds’ unmatched musical talent and authentic sound has brought them to the forefront of the reggae rock genre, as their art form has reached people of all ages across the United States, and worldwide. The band’s self titled debut album, “Tribal Seeds” was released in 2008, and their second album “The Harvest” was released in June of 2009. iTunes named both albums the “Best Of” in the Reggae genre, for their respected years. Their debut album helped garner them the “Best World Music” title at the San Diego Music Awards in 2008, and “The Harvest,” which contained fourteen new and original songs, debuted at the number 5 spot on the Billboard Reggae Charts. The tracks, written and produced by Tribal Seeds, were recorded and mixed by Alan Sanderson at Signature Sound Studios in San Diego, and mastered by Erik Lobson at Universal Mastering.
                              On July 19, 2011, Tribal Seeds gave listeners a brand new EP entitled “Soundwaves,” which peaked at number 2 on the Billboard Reggae Charts. The band notes that the album was inspired by their life experiences, being on tour, and their desire to inspire youth to raise their voices and seek a higher consciousness. Tribal Seeds have toured throughout the United States including Hawaii & Guam, and have also performed in Mexico & Aruba. They have shared the stage with artists such as Dave Mathews Band, Jack White, Red Hot Chili Peppers, Jane’s Addiction, Skrillex, MGMT, Cee Lo Green, Jason Mraz, Matisyahu, Sublime with Rome, Taking Back Sunday, O.A.R., Pretty Lights, Pepper, Collie Buddz, The Wailers, Julian Marley, Stephen Marley, Gregory Issacs, SOJA, Rebelution, and many more

                              OUR LINKS


                              Ballyhoo!

                              A rock band with punk energy and pop reggae grooves, Baltimore’s BALLYHOO! are a fun, fan-loving powerhouse. These road dogs have tirelessly toured coast-to-coast taking their music to the people. Between the road and the studio, BALLYHOO! have crafted a sound distinctly their own; fresh, fun, and embodied by the soul of the party lifestyle. Lead singer and guitarist, Howi Spangler, has a reputation for mixing slick lyrics with his smooth but powerful voice. Drummer Donald “Big D” Spangler lays out the hard-hitting beats, which are underlined by JR Gregory’s funky and witty bass lines. Scott Vandrey (aka DJ Blaze) rounds it out on the turntables and keys.

                              BALLYHOO!’s unique sound, hardcore devotion to the road and their fans has pitched them into snowballing success. The band has performed with a myriad of national touring acts; 311, Slightly Stoopid, SOJA, The Dirty Heads, Matisyahu, and more. In 2011, after concluding the Last Calls and Liabilities tour with respected contemporaries, Pepper, they were honored with being included on the ever-popular Hollister Holiday Playlist. They were listed on MTV’s Top 100 Bands to Watch and even featured 2 downloadable songs on the popular video game ROCK BAND. Tour highlights include the 2011 311 Pow Wow Festival, the 2012 311 Caribbean Cruise, Bamboozle 2012, & the entire 2012 Vans Warped Tour.

                              The band’s last single “Last Night” saw rotation at various alternative radio stations including WHFS Baltimore, WRFF Philadelphia, KUKQ Phoenix, Star 101.9 Honolulu, & SiriusXM/Faction, as well as various specialty shows around the country. The band's new single "Walk Away" is next and poised to open even more doors at radio with it's melodic chorus and sing along vibe. Yesod Williams, owner of the band’s label LAW Records says of his newest addition, “Having BALLYHOO! join the LAW family is a perfect fit. They are an incredibly talented band with a really catchy style”.

                              OUR LINKS


                              Gonzo

                              MORE INFO COMING SOON!



                                10/20

                                Ryan Adams

                                Butch Walker

                                $38.50 - $9.90 | All Ages | 7 pm

                                BUY TICKETS!
                                Ryan Adams

                                MORE INFO COMING SOON!



                                  Butch Walker


                                  man... Bios kinda suck. I've been doing these things for so long now, that I feel like just when I have written the mother of all things informative and maybe funny, I go and record a new record. Why does shit always have to evolve and the information change every time another year goes by? Why, since the last bio (which I felt was an understated masterpiece) did I have to go and do shit to deem it necessary for an update? Just because between the last album, "I Liked it Better When You Had No Heart" and now, I have: shot a video for "Pretty Melody" from the album ILIBWYHNH, wore a tv on my head in it and fought ninjas, got it featured on YouTube and it got a half million views, did a sold out headlining tour of the states last year, supported Train on a sold out tour of the states, then went and supported Pink on a sold out stadium tour of Europe all summer, including sold out headlining club shows of our own over there. Hmmm... What else.. Oh! Taylor Swift heard a little version I did of her song, "I Liked it Better When You Belonged With Me" (or was it "You Belong With Me"? I can't freaking remember...). She called me and asked if she could play my version of it on the Grammys and would I mind playing along side her and Stevie Nicks for the performance. Then she fell in love with me and ran away to Barcelona to elope, only to find out that while I was in the bathroom at the airport, she fell in love with Jake Gylenhall (sp?), who stole my fucking seat next to her in the waiting terminal.... Ok... I made that last part up. Fun right? No? Ok.. Like the fans are always telling me, don't talk about politics, religious views or Tay Tay Swift.

                                  I should mention the band i play in. Just like the last record, this record was recorded, written and produced by me and the Black Widows. It consist of my longtime bandmates, Chris Unck on guitar, lap and pedal steel. He's a redneck from the north Georgia mountains who I think wrestled alligators at one time, and built lighthouses. He also fronted Chris Unck and the Black Roses.. Until I stole him. Fran Capitanelli on lead guitar is also a friend of mine that resided in Atlanta during my tenure there, and he played guitar and sang lead in a band I loved called The Tom Collins. Until I stole him. He is the Professor of Energy.... Ask him to explain. Jake Sinclair on bass is not only the tallest, skinniest bassist I know, but he's also the best. He's even better than me, and I'm fucking awesome. I met Jake while producing a record for his band The Films.... Until I stole him. I bartered with him though. I told him he could also engineer the records I make in my studio with me (he's also the best engineer I know) and that his singer/songwriter in the Films, Mike Trent, would have to join in on the Black Widows writing process. I kinda made out good on this whole deal, because Mike is one of the most unsung singer/songwriters I know, and the lyrical collaborations we have done on the last couple of records have been my favorites. Oh yeah, Mike's wife (Cary Ann Hearst) is also an amazing singer/songwriter that I produced a record for last year.... She sang backup vocals on the new Widows record. It's a family affair...

                                  so this is the part of the bio where I'm supposed to describe the new record by us called "The Spade". I'm supposed to inject words about the songs like "soaring", "pounding", "climactic", and maybe even a "unrivaled"...... But I just can't talk like that about my own music. But what I can say is, just like my bass paying skills..... It's fucking awesome. we will be on the road this year a lot, and probably sleeping at many KOA campgrounds this fall. More than likely, you are reading this because you don't know shit about me and you are about to interview me for your school paper or local radio station visit (yes, im in the lobby) and you need to find out a few things about me to talk about. It's ok. I'm not mad. I'm not very popular and I don't blame you if you "just aren't into the music". You may not have read this far, or been able to get past the bass playing part, but if you have, then I commend you. Let's talk....

                                  end of bio.

                                  OUR LINKS


                                  10/22

                                  Zach Deputy

                                  $11 | 18 & Over | 8 pm

                                  BUY TICKETS!
                                  Zach Deputy

                                  One of the pre-eminent practitioners of “live looping”, Zach Deputy’s one-man show of "Island-infused, Drum 'n' Bass, Gospel-Ninja-Soul" has the energy and sound of a 6-piece band. Ensconced behind an array of microphones and technology, Zach and his nylon stringed guitar weave a tapestry of instrumentation and voices in an ever-evolving, improvised arrangement that is ultimately based on a composition but allowed to breathe with the audience. Enhanced by a stunning light show, Zach Deputy’s show transforms clubs and open fields alike into sweaty dance parties for fans of R&B, soul, jam, Caribbean music and even electronica.

                                  OUR LINKS


                                  10/23

                                  Greensky Bluegrass

                                  You Me and Apollo

                                  $15 - $18 | All Ages | 8 pm

                                  BUY TICKETS!
                                  Greensky Bluegrass

                                  “There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.”
                                  “We play acoustic instruments,” adds dobro player Anders Beck, “but we put on a rock’n’roll show. We play in bigger clubs and theaters, there’s a killer light show, and we’re as loud as your favorite rock band. It’s not easy to make five acoustic instruments sound like this – it’s something we’ve spent years working on.”
                                  From these seemingly irreconcilable elements, the five members of Greensky Bluegrass have forged a defiant, powerful sound that, while rooted in classic stringband Americana, extends outwards with a fearless, exploratory zeal. The tension and release between these components – tradition and innovation, prearranged songs and improvisation, acoustic tones and electric volume – is what makes them so thrillingly dynamic, in concert and on record. “In theory,” Hoffman explains, “greensky is the complete opposite of bluegrass. So, by definition, we are contrasting everything that isn’t bluegrass with everything that is.”
                                  That their sound is so seamless, so organic, is testament to Greensky’s enduring vision and tireless dedication. Since their first rumblings at the start of the millennium, they have emerged as relentless road warriors, creating a captivating live show while at the same time developing a knack for evocative, disarming songcraft.
                                  Their fifth studio album, If Sorrows Swim – available September 9, 2014 and distributed by Thirty Tigers – is their most riveting yet, balancing gripping songs (by Hoffman and guitarist Dave Bruzza) and remarkably thoughtful, tight arrangements with an instrumental fluidity born of countless hours playing together – on stage and off.

                                  From their unlikely base of Kalamazoo, Michigan (home of the original Gibson Mandolin-Guitar factory), Greensky – which also includes banjoist Michael Arlen Bont and bassist Michael Devol – arrived at their unique take on the bluegrass tradition by working from the outside inward. “I found bluegrass through the back door,” Beck says, “through the Jerry Garcia route. That’s how I got to listening to Bill Monroe and Earl Scruggs. It’s really interesting how many people in our generation got into acoustic music through that channel.”
                                  Approaching their instruments from an open-ended, rock perspective gave them the freedom to create their own rules. “We were always coming at bluegrass backwards,” Hoffman says. “We were better musicians than we were bluegrass musicians. I mean, I didn’t buy a mandolin until I was 18. Dave didn’t start playing acoustic guitar until he was 18. Bont got a banjo when he was 20. We discovered that, when it came to learning these instruments, we preferred to do so by improvising and writing our own songs, instead playing standard material and fiddle tunes.”
                                  The roots of Greensky Bluegrass lay in the friendship of Bruzza and Bont. While nurturing a nascent interest in acoustic music, they were joined by Hoffman. The trio shedded intently, playing informally in living rooms and at open mics for years before setting out as a band. Devol, a classically trained cellist, was added in the fall of 2004, and in 2006 Greensky Bluegrass won the coveted band contest at Colorado’s forward-thinking Telluride Bluegrass Festival. At that point, the members dedicated themselves to Greensky full-time and began widening their touring radius.
                                  In 2007, dobroist Beck came aboard. From the sidelines, he was quick to pinpoint the band’s appeal. “It was all about the songs,” he says. “You can be the best pickers in the world or the most educated musicians, but, all in all, the things that connect with people are songs, lyrics, and melodies. That was the real kicker.”
                                  By playing up to 175 shows a year, mostly in rock clubs and more open-minded festivals like Telluride, Austin City Limits, Bonnaroo, and the New Orleans Jazz and Heritage Festival, Greensky Bluegrass became a word-of-mouth underground sensation, cultivating a devoted legion of fans entranced both by the band’s improvisational acumen and the quality of their songwriting. Then and now, despite their wide-ranging musical interests, Greensky continues to work within the structure of a classic five-man stringband. “The cool thing about a bluegrass band or, really, any drummerless band,” Hoffman explains, “is that it’s like acoustic chamber music — challenging, exciting, and fun to play.”
                                  “While there are potential limitations because of our instrumentation,” Beck adds, “a really big part of what is Greensky Bluegrass is about is to essentially ignore those limitations.”
                                  The depth and sophistication of the band’s interplay is showcased throughout If Sorrows Swim, across a program of stirring, resonant original songs. Recorded over ten days, the album was tracked to two-inch tape. “The decision to use tape over digital recording is basically the decision to use less,” Hoffman explains. “It’s not about everything being perfect, it’s about capturing a moment in time."
                                  the album mixes previously unrecorded, road-tested concert staples with new material carefully honed with the sort of razor’s edge focus that the recording studio inspires.
                                  If Sorrows Swim opens with “Windshield,” a haunting rumination that slowly builds in emotional and musical intensity around an an insistent pulse from the bass. The desperation in Hoffman’s increasingly anguished vocal is slowly surrounded by churning rhythm guitar and incessant banjo before the tension is dispersed by a plaintive dobro solo. A brooding cello line deep in the mix adds an ominous undercurrent, and underpins the group’s swirling counterpoint as the track fades.
                                  The album’s title derives from “Burn Them,” a minor key reflection set to a more straight-ahead, driving bluegrass rhythm. “There was something on This American Life,” Hoffman recalls. “Someone was talking about just how upset and sad they were. They were drinking a lot, but they just couldn’t drink that pain away. When I heard that, I thought to myself, ‘What if sorrows swim?’ I couldn’t get that thought out of my mind.” Tightly orchestrated, the performance is marked by ingenious touches. The transitions between the guitar and mandolin solos are delineated by a quick unison passage played by both instruments, and Bont contributes an especially nimble, melodic break.
                                  Having two distinct songwriting voices further enriches If Sorrows Swim, with Bruzza contributing a quartet of varied, insightful songs featuring his burnished, soulful vocals. “Worried About the Weather” moves between a swinging half-time feel and a breezier, bluegrass tempo – reinforcing the contrast between relief and uncertainty embodied in the lyric. Bruzza’s brisk “Kerosene” features some of the album’s more daring improvisational passages, and highlights the band’s gift for electrically processing their acoustic instruments to emphasize the emotion behind their playing. Hoffman’s mandolin solo is colored by subtle delay, while Bruzza’s spacious, inquisitive break finds him employing a slightly distorted tone to further escalate the song’s intensity.
                                  “What makes this album different from the last,” Hoffman explains, referring to 2011’s accomplished Handguns, “is that we paid so much more attention to what the song needs. At every juncture, we would ask, ‘Does it serve the song?’ We ask that a lot.” Throughout If Sorrows Swim, Greensky’s playing and arrangements are impressively intricate – and showcased in a rich, spacious sound that lets each note and accent sing and decay as if in slow motion.
                                  The taxing yet rewarding process of recording now behind them, Greensky Bluegrass is anxious to unveil If Sorrows Swim’s unheard material in concert. “The live experience is this springboard,” Beck muses. “You just see what happens. When you’re improvising every night and taking risks, it becomes a very circular thing with the audience — the audience feeds off the energy of the band and the band feeds off the energy of the audience and it becomes a much bigger thing.”
                                  With the release of their first nationally distributed album and a busy touring season ahead of them, Greensky Bluegrass are facing a new level of exposure. It’s a challenge they are up to, that they embrace. As their music and their audience has grown, so have they, and their sites are set ever-higher.
                                  “When we were doing our first shows and making those early records,” Hoffman concludes, “it was stressful because we wanted to hit the right notes. We just wanted it to be good enough. But now, we want it to be great.”

                                  Media Quotes:

                                  “Representing the genre for a whole new generation.” – Rolling Stone

                                  "Taking chances - and pushing the boundaries of a proud tradition - are what mark Greensky Bluegrass' sound, which tips its cap to backwoods-jazz virtuosity while holding on to a rock 'n' roll edge." - San Francisco Chronicle

                                  “…under the old-timey harmonies, mandolin, banjo and upright bass is a vibe that’s just as comfortable with mellow workouts as it is with speedily picked hoedown numbers.” – The Onion, Denver

                                  "Skillfully walks the line between traditional and progressive... Greensky Bluegrass shows its reverence for those artisans who've come before, even while the band blazes ahead." – Relix Magazine

                                  “…snappy mandolin and banjo hooks, playful acoustic ramblings and plenty of down home American spirit… whether you’re a String Cheese, Railroad Earth or Del McCoury fan; they’ve got you covered.” – Sacramento Press

                                  “Much like newgrass heroes Yonder Mountain String Band and Railroad Earth before them, Kalamazoo, Michigan’s Greensky Bluegrass trade in carefree brand of genre- jumping roots music. Though their tunes bear notable traces of rock, jazz and Americana, their affinity and respect for traditional bluegrass shines through with every nimbly picked tone.” – Seven Days, Burlington

                                  “In the big, crowded world of jam bands, carving out a distinct identity and following isn't an easy task. But Kalamazoo's Greensky Bluegrass is busy achieving just that, enjoying road success and growing national acclaim for its sublime, inventive approach to rootsy Americana.” – Detroit Free Press

                                  “The five-man outfit plays originals and covers (traditional and otherwise) with rootsy precision and edgy boldness.” – Dallas Morning News

                                  “Along with acts like Yonder Mountain String Band and Old Crow Medicine Show, the five-man, all-acoustic Greensky Bluegrass keeps one foot in traditional music and steps the other forward. The sound isn’t unfamiliar — banjo, mandolin and stand-up bass picking still race through the tunes, but so do heavy grooves, swooning strings and extended jams.” – Metromix Indianapolis

                                  “…the band brings plenty of chops to the table, but the finger-plucking rarely steals the spotlight. This Michigan quintet is more about warm voices telling stories in tightly constructed tunes, and they do it mighty well.” – Columbus Alive

                                  “Greensky Bluegrass takes bluegrass to a new high by weaving psychedelic rock into a roots-oriented go-for-broke approach… With some of the new-school attitude of Yonder Mountain String Band and the down-home sound of the hills (via Michigan), the group is carving out its own space in the jamgrass barnyard.” – Westword

                                  “…channeling all the right icons: Norman Blake, the Seldom Scene and even mid-'70s New Grass Revival (the choice stuff, before Béla). Of course, this is bluegrass. So manic chops mean a lot to Greensky Bluegrass. Yet they are also masterful storytellers.” – Seattle Weekly

                                  OUR LINKS


                                  You Me and Apollo

                                  MORE INFO COMING SOON!



                                    10/24

                                    Agent Orange

                                    The Architects
                                    Stiff Middle Fingers

                                    $16 | All Ages | 8 pm

                                    BUY TICKETS!
                                    Agent Orange

                                    MORE INFO COMING SOON!



                                      The Architects

                                      MORE INFO COMING SOON!



                                        Stiff Middle Fingers

                                        SMF came together in 2010 when Travis Arey (Panda Circus, The Akanes), Cameron Hawk (The Dead Girls, Hidden Pictures), Barry Swenson and JP Redmon (Many Moods of Dad, Podstar) thought it would be fun to put together a short, blistering set of some of their favorite classic punk tunes. Since then, the list of songs has grown exponentially, and the SMF stage show has become nothing short of incendiary. While the band has been known to perform entire sets by certain bands (like the Descendents), they have recently started writing their own songs and plan on showcasing both originals and covers on a regular basis.

                                        Stiff Middle Fingers (SMF) is primarily a classic punk cover band. We play songs by Black Flag, Descendents, Minutemen, The Jesus Lizard, Ramones, Sex Pistols, Buzzcocks, Dead Kennedys, Wipers, Misfits, The Damned, Devo, Husker Du, Bad Brains, Mudhoney, The Vapors and many more...including Stiff Little Fingers, of course. We also write our own tunes from time to time, which carry the militant, SST-style DIY aesthetic of the songs we cover.

                                        OUR LINKS


                                        10/28

                                        The Werks vs Zoogma

                                        Thumpur
                                        Purusa

                                        $13 - $15 | All Ages | 8 pm

                                        BUY TICKETS!
                                        The Werks vs Zoogma

                                        MORE INFO COMING SOON!



                                          Thumpur

                                          THUMPUR AKA IAN LEFTWICH

                                          PsySwerve, SwivelHop-BassMusic, Midtempo-Downtempo, Glitch-SaiyanStep- ♥ -SpaceBlap-MidwestPhonk

                                          OUR LINKS


                                          Purusa

                                          MORE INFO COMING SOON!



                                            11/7

                                            Lucinda Williams

                                            Kenneth Brian Band

                                            $29.50 - $35.50 | All Ages | 7 pm

                                            BUY TICKETS!
                                            Lucinda Williams

                                            MORE INFO COMING SOON!



                                              Kenneth Brian Band

                                              MORE INFO COMING SOON!



                                                11/11

                                                Chadwick Stokes

                                                Ark Life

                                                $16 | All Ages | 8 pm

                                                BUY TICKETS!
                                                Chadwick Stokes

                                                It takes a certain type of musician to hop freight trains and barrel across the vastness of North America with his brother and cousin. Especially for an artist who, just years before, sold out Madison Square Garden for three consecutive nights. CHAD “CHADWICK” STOKES is anything but a typical rock star. So, there he was, wading across a river to escape the chasing railroad bulls and hanging in the different down and out jungles with other traveling folks. And in the end, after the three had finally reached the West Coast and were laying face down in the dirt at gunpoint care of the NSA, he says it was all well worth it.

                                                “I had ridden the trains a little bit in the past for a day or two but I had never done it for weeks at a time,” Stokes says. “I discovered an America that I knew was out there but had limited experience with. There's all kinds of people out on the rails: people simply trying to get from point A to B, people running from whatever they left behind, people with nowhere else to go. You get to see a part of America that only the trains go through -- remote stretches without any sign of mankind." It was out on these long isolated stretches and in the inner city train yards that Stokes found the inspiration for his solo debut, titled SIMMERKANE II.

                                                While riding the rails, Stokes made a designated stop so his band, State Radio, could play an anti-war concert at the Denver Coliseum with Rage Against The Machine. It is a DIY social consciousness that Stokes came to early in life - growing up as a pacifist, working in Zimbabwe after high school and eventually co-founding the Elias Fund, the Dispatch Foundation, and now Calling All Crows. In 2008, Stokes was honored as Humanitarian of the Year at the Boston Music Awards.

                                                Simmerkane II, a proper follow-up to the State Radio EP (Simmerkane I), is a marked evolution in the musician-songwriter’s creative journey. Produced by John Dragonetti (of The Submarines), the album features background vocals from Carly Simon, Matt Embree (Rx Bandits), The White Buffalo, Blake Hazard (The Submarines), and Sierra Leone's Refugee All Stars. The sound is an engaging mix of Americana, country, folk and rock in the service of some undeniably evocative lyrics. The songs tell a loose narrative of travel, love and loss, like some re-imagined rock-n-roll odyssey.

                                                The journey begins with “Adelaide,” a fuzzed-out melodic folk rocker containing the prophetic line, “We left Worcester with our boots and our bags - and America undressed herself in front of our eyes.” Next, listeners venture into the “Crowbar Hotel” to discover an underground world populated by hard luck outsiders: “We are sold to the highest bidder, we are down to our very last crumb - May we invite ourselves to dinner, ‘cause we might just have to make a run.” The song “Back To The Races,” has Stokes reflecting on past mistakes and longing for the childhood farm while still seduced by the excitement of the journey and a new love. The symphonic rock-n-roll charges ahead before dropping down for the intimate lyrical refrain “Back to the races - and on with the day.”

                                                The two-disc deluxe package includes three bonus tracks with Sierra Leone’s Refugee All Stars, a musical ensemble of refugees from Sierra Leone’s 1991 civil war. Stokes, who did humanitarian work in Zimbabwe as a youth, has been a longtime fan of the All Stars. The tracks include a lilting African-tinged folk song called “Coffee And Wine,” a reflective reggae track titled, “All My Possessions (Ode To Troy)” and “Don’t Have You” – a heartfelt ballad that eventually erupts in celebration with the All Stars’ backing vocals and percussions carrying the weight of their troubled history and eventual transcendence. “It was such an honor to work with the All Stars,” Stokes explains. “The songs we did were kind of folk songs and one reggae song, so they were a bit out of their element trying to adapt to the folky farm kid and his songs. But you can hear their history in their singing and playing and it adds this amazing power to the songs.”

                                                Simmerkane II is an ambitious album about discovery, loss and moving on. What begun as a journey across an unseen America becomes a moving musical tribute to the resilience of the human heart. “The album was initially inspired by the freight train trip with my brother and that vast underworld that exists out there,” Stokes explains. “But then it’s also about growing up on the farm and losing loved ones; a young man learning about life.” In his spare time, Stokes can still be found hopping trains with his beloved travel companion, Lefty.

                                                OUR LINKS


                                                Ark Life

                                                MORE INFO COMING SOON!



                                                  11/12

                                                  Twiddle

                                                  Mister F

                                                  $9 - $11 | All Ages | 8 pm

                                                  BUY TICKETS!
                                                  Twiddle

                                                  Twiddle, a Vermont based quartet, spins tall tales over an intricate soundscape of hi-def shred. Their fresh multi-genre approach conjures up jazz, classical, and bluegrass, but above all, masterfully blends reggae and funk. Obliterating laws of improvisation, their complex arrangements never fail to leave crowds lusting for more. With sage songwriting and unmatched variety, Twiddle’s thrilling infancy continues to exceed all expectation. After whimsically jamming in the fall of 2004, the founding members of Twiddle immediately recognized chemistry and a common seriousness. By the second semester at Castleton State, Mihali Savoulidis and Ryan Dempsey were already intertwining harmony and fantasy, birthing Twiddle staples like ‘Frankenfoote’ and ‘Gatsby the Great’. Brook Jordan, and Billy Comstock, Twiddle’s original bassist, complemented these melodies with a densely layered, and exciting funk rhythm This young foursome had taken Castleton by storm, toured the northeast, and composed an impressive catalog of original tunes before becoming upper-classmen.

                                                  OUR LINKS


                                                  Mister F

                                                  MORE INFO COMING SOON!



                                                    11/13

                                                    BIG SMO

                                                    $16.50 - $20 | All Ages | 7 pm

                                                    BUY TICKETS!
                                                    BIG SMO

                                                    MORE INFO COMING SOON!



                                                      11/14

                                                      David Bazan + Passenger String Quartet

                                                      David Dondero

                                                      $20 | All Ages | 8 pm

                                                      BUY TICKETS!
                                                      David Bazan + Passenger String Quartet

                                                      The seed for this album was planted during a one-off show back in 2012. Bazan was invited to play a show in Tacoma WA with the Passenger String Quartet. PSQ leader Andrew Joslyn put together string arrangements for 4 songs and it was an enjoyable evening for all. They immediately began talking about doing it again and eventually started talking about making proper studio recordings of these songs. But it took nearly two years for everyone’s schedules to line up again. In February 2014, they were able to spend a week at Avast! studio in Seattle tracking a collection of 10 songs pulled from Pedro The Lion, Headphones and Bazan solo albums. Long time friend and Bazan collaborator Chris Colbert recorded, mixed and mastered the album. Chris’s no nonsense approach and years of friendship helped bring things into focus and they were able to record the entire album in just a few days.

                                                      With the release of the album they will be touring all across the USA in October and November playing in clubs, small theaters and cathedrals.

                                                      David Bazan was, for many years, the songwriter and driving force behind the acclaimed band Pedro the Lion, building a dedicated following and selling a couple hundred-thousand albums. After a decade helming the project, he found himself embroiled in a major personal philosophical and spiritual cataclysm, wrapped in a growing drinking problem. Bazan got to work exorcizing both his demons and angels, ditching the Pedro moniker in favor of his given name. He’s released the Fewer Moving Parts EP (2006) and two full-length albums, Curse Your Branches (2009), Strange Negotiations (2011) under his own name.

                                                      The Passenger String Quartet is an avant-garde, experimental neo-classical group, formed by Northwest composer/violinist Andrew Joslyn. The group is in high demand as studio session musicians, tours & performs original compositions, as well as backs a wide variety of regional, and national touring groups from DJ Spooky, Suzanne Vega, to Macklemore and Ryan Lewis, Ivan and Alyosha, Kris Orlowski, Doug Martsche, and many more.

                                                      OUR LINKS


                                                      David Dondero

                                                      MORE INFO COMING SOON!



                                                        11/21

                                                        Drew Holcomb & The Neighbors

                                                        $13 - $15 | All Ages | 8 pm

                                                        BUY TICKETS!
                                                        Drew Holcomb & The Neighbors

                                                        Drew Holcomb and The Neighbors

                                                        Some artists are able to articulate a vision at the very beginning of their career, while others hone their craft over time, growing into their vision as they mature.

                                                        “I am definitely in the latter category,” explains Drew Holcomb, a Tennessee-born, duck hunting, bourbon drinking, 1st edition book collecting, golf playing Eagle Scout with a Masters degree in Divinity from Scotland’s University of St Andrews (he wrote his dissertation on “Springsteen and American Redemptive Imagination”) who has spent the better part of the past decade as a professional musician – recording, writing, and touring with his band Drew Holcomb & The Neighbors.

                                                        Since releasing their first album, 2005’s Washed In Blue, Drew & The Neighbors (Ellie Holcomb, Nathan Dugger, Rich Brinsfield) have established themselves as a formidable indie act, selling more than 75,000 records, playing more than 1,500 live dates, selling-out headline shows, and touring alongside such varied acts as The Avett Brothers, Ryan Adams, Los Lobos, NEEDTOBREATHE, Susan Tedeschi, North Mississippi Allstars, Marc Broussard, and more. Their songs have been used in countless television shows and commercials, most notably in TNT’s Emmy Award winning 2011 Christmas Day NBA Forever spot, which paired the song Live Forever with a mesmerizing montage of past and present NBA video footage.

                                                        The hard work has paid off with the band’s sixth album Good Light showcasing Drew’s signature brand of singer/songwriter Americana in its finest form yet. Recorded live at Ardent Studios in Memphis, Good Light arrives shortly following Drew’s 30th birthday and the birth of his first child, daughter Emmylou (named for – you guessed it – Emmylou Harris), with wife and band-mate Ellie Holcomb. I think about my daughter every time I sing the title track, how I want to sing it over her when she is old enough to start understanding the world of truth and consequence,” says the Memphis native who now calls Nashville home.

                                                        “This album perfectly tells the story for a new stage in my life,” explains Drew “On past albums I was searching for my voice, both literally and figuratively. I co-wrote a lot of songs, peppered the music with too many influences, and let too many other voices in my head.”

                                                        With this album, Drew dedicated himself to the process of songwriting, stripping away extra layers, ridding himself of past boundaries and expectations. He wrote more than 40 songs for Good Light, mostly alone on his 1934 Gibson Archtop, eventually whittling the selections down to a final 12 tracks.

                                                        Drawing from personal experience to craft songs that speak to all of us, Drew explores the universal need to find meaning and joy in the midst of heartbreak and disappointment throughout Good Light. The last song on the album Tomorrow opens with the lyric, ‘Nothing ever turns out like you thought it would.’ It’s a theme that permeates the album.

                                                        “I have been through really difficult things,” Drew continues. “When I was 17, I lost my younger brother, and have lived through the grief of that great absence. On the other hand, I have experienced the joy of being married to the girl I always wanted, and have been loved really well by her…Everyone has all these different ingredients; our geography, our family, our interests, the places we have been and the places we long to see, the loves we have found and the loves we have lost. Each of us has a story, and it’s the only one we can tell. With this album I’m telling my story, in the hope that it helps other people tell theirs.”

                                                        OUR LINKS


                                                        11/25

                                                        Dawn & Hawkes

                                                        $8 | All Ages | 9 pm

                                                        BUY TICKETS!
                                                        Dawn & Hawkes

                                                        MORE INFO COMING SOON!




                                                          OUR CALENDAR

                                                          October
                                                          3
                                                          Friday

                                                          Crossroads KC

                                                          Gov''''''''t Mule

                                                          DOORS AT 7:00 pm

                                                          SHOW AT 8:00 pm

                                                          BUY TICKETS!
                                                          $25 - $76.50
                                                          All Ages
                                                          October
                                                          6
                                                          Monday

                                                          DOORS AT 8:00 pm

                                                          SHOW AT 9:00 pm

                                                          BUY TICKETS!
                                                          $15
                                                          All Ages
                                                          October
                                                          7
                                                          Tuesday

                                                          The Bottleneck

                                                          J Mascis

                                                          Luluc

                                                          DOORS AT 8:00 pm

                                                          SHOW AT 9:00 pm

                                                          BUY TICKETS!
                                                          $17 - $19
                                                          All Ages
                                                          October
                                                          8
                                                          Wednesday

                                                          DOORS AT 8:00 pm

                                                          SHOW AT 9:00 pm

                                                          BUY TICKETS!
                                                          $11 - $13
                                                          All Ages
                                                          October
                                                          9
                                                          Thursday

                                                          The Bottleneck

                                                          World-Renowned, Award-Winning

                                                          Mike Doughty

                                                          Question Jar Show

                                                          DOORS AT 7:00 pm

                                                          SHOW AT 8:00 pm

                                                          BUY TICKETS!
                                                          $15
                                                          All Ages
                                                          October
                                                          11
                                                          Saturday

                                                          DOORS AT 7:00 pm

                                                          SHOW AT 8:00 pm

                                                          BUY TICKETS!
                                                          $22.86 - $69.96
                                                          All Ages
                                                          October
                                                          13
                                                          Monday

                                                          Uptown Theater

                                                          Ingrid Michaelson

                                                          Neulore

                                                          DOORS AT 7:00 pm

                                                          SHOW AT 8:00 pm

                                                          BUY TICKETS!
                                                          $26.90
                                                          All Ages
                                                          October
                                                          15
                                                          Wednesday

                                                          The Bottleneck

                                                          Dopapod

                                                          Tauk

                                                          DOORS AT 8:00 pm

                                                          SHOW AT 9:00 pm

                                                          BUY TICKETS!
                                                          $10
                                                          All Ages
                                                          October
                                                          16
                                                          Thursday

                                                          DOORS AT 8:00 pm

                                                          SHOW AT 9:00 pm

                                                          BUY TICKETS!
                                                          $12 - $15
                                                          All Ages
                                                          October
                                                          18
                                                          Saturday

                                                          The Bottleneck

                                                          BASS HERTZ & THE UNTZ PRESENTS

                                                          Spankalicious

                                                          Azoic Realm
                                                          DJ N8

                                                          DOORS AT 7:00 pm

                                                          SHOW AT 8:00 pm

                                                          BUY TICKETS!
                                                          $11 - $13
                                                          All Ages
                                                          October
                                                          19
                                                          Sunday

                                                          The Bottleneck

                                                          Tribal Seeds

                                                          Ballyhoo!
                                                          Gonzo

                                                          DOORS AT 8:00 pm

                                                          SHOW AT 9:00 pm

                                                          BUY TICKETS!
                                                          $15 - $17
                                                          All Ages
                                                          October
                                                          20
                                                          Monday

                                                          Uptown Theater

                                                          90.9 The Bridge

                                                          Ryan Adams

                                                          Butch Walker

                                                          DOORS AT 7:00 pm

                                                          SHOW AT 8:00 pm

                                                          BUY TICKETS!
                                                          $48.40
                                                          All Ages