Amanda Fish

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Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda's signature 'from-the-gut' vocals locked into a sturdy groove.

In 2015, she released her first LP, "Down In The Dirt", on VizzTone Label Group, for which she was awarded the 2016 "Sean Costello Rising Star" Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.

OUR LINKS

Redneck Throwdown

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The LACS

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Moonshine Bandits

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Backwoods bravado, patriot’s pride, country soul, keg-thumping beats — these are the qualities that Moonshine Bandits have championed since they began burning up the California club circuit back in 2003.

Their message spread as they rolled from there through the heartland, the dirty South and beyond on their tour bus. No matter whether color their collar is or even if they wore a collar at all, people heard something of their story in their music — and popped back a cold one to celebrate that connection.

Plenty of their trademark sound and message resonates through Baptized In Bourbon, their new album — reverence for God and country on “Red, White & Blue Collar” (“We answered to the call when Uncle Sam cried/You know we always stand for what is right”), a celebration of backwater saloons and Saturday nights on “Stomp Like Hell” (“Before the bar doors close, I’m a-get to stepping/I’m gonna stomp like Hell just to get to Heaven”), a promise to stand firm for freedom on “Raised Up” (“If you ain’t proud of where you’re from, get the hell out of town”).

But there’s more — a new depth that encourages reflection, even hints of doubt. None of this compromises the defiant pride that’s always threaded through the songs of Bird and Tex, aka Moonshine Bandits. Still, something has changed since they released Blacked Out in 2015.

Tex knows why. “This year has been a whirlwind of touring,” he explains. “We’ll play at a bike rally in Oregon one day and then fly to Alaska. That’s had a lot of input on this album, especially on our songwriting. We’ve always been entertainers first, songwriters second. Now I feel like our songwriting has caught up to the entertainment part of who we are.”

In these past couple of years, he and his fellow bandit Bird have been in transition personally as well as artistically. They’ve gone from bus tours to jetting out for extended weekend jaunts. While playing for their die-hard, “blu-core” fans, vestiges of wilder days do appear, sometimes bringing old ways into conflict with new responsibilities.

Tex lays out the question candidly. “When we’re away from our family, is the way we’re living acceptable to God, with all the partying and crazy shit we do on the road?”

This dilemma was somewhere in whatever dream Tex was having late one night when he woke up suddenly. “Three words came to me: baptized in bourbon,” he remembers. “I texted Bird and my manager and said, ‘Hey, I don’t know what this means but it could be some pretty heavy stuff.’ The whole album started with that title.”

The Bandits and producers, Burn County, withdrew to a cabin/studio deep in a forest in the state of Washington. They talked about things they’d experienced, lessons they’d learn and questions that remained. Conversations evolved into lyrics; feelings took on musical shape; tape rolled. And after two weeks they emerged with Baptized In Bourbon, a project unlike anything they’d ever cut before.

“We didn’t sit down and say, ‘Hey, let’s do a themed album,’” Bird insists. “But the themes we were thinking of seemed to carry over song after song. It was like a circle. It wasn’t all heavy. There’s a lot of fun songs on the album too. But basically, Baptized In Bourbon isn’t just about bonfires and keg parties. There’s a lot more to it than that.”

“The Sermon” starts mournfully, with strings and a quiet acoustic guitar. Then a preacher breaks in, a beat kicks off and from the pulpit we hear the query that underlies all of Baptized In Bourbon: “In light of knowing that God is with us, and in light of knowing that He sees us always, how are we going to respond with our lives?”

The answer appears to be that you celebrate, you rock hard, you love without hesitation and fight without fear when you have to. And, if you’re Moonshine Bandits, you drive this story home with help from a gang of gifted guest artists: Crucifix on the slamming “I’m A Hellrazor,” Bubba Sparxxx on “51Fifty,” The Lacs on “Cards I Was Dealt,” Uncle Kracker on “Baptized In Bourbon,” Colt Ford and Outlaw on “Dad’s Pontoon,” Matt Borden on “Shook Me Up,” Jelly Roll on “Wild Ones” …

… and maybe most memorably, the legendary David Allan Coe. David Allan Coe has done some shows with the Bandits to rowdy audiences. Apparently he liked what he saw when Tex and Bird sent him their arrangement of his classic anthem “Take This Job And Shove It.” He volunteered to join with them in the studio and later on stage. Coe also personally called both Tex and Bird to thank them as well as tell them he enjoyed their energy-filled live show.

“I’ve always said there are three guys I wanted to work with before I quit music,” Tex says. “Two of them are dead; the third is David Allan Coe. We decided to shoot a video together at Shawshank. The night before we met in his hotel room. It was like we were old friends, listening to him talk about songwriting. The next day we went to the prison, where he had done three or four years of his life. We were kind of skeptical about what might happen because there’s a lot of emotion involved. Hell, I threw up after going into some of the cells. But he had a great time. Then that night, when we played a show in Bucyrus, Ohio, he did the song with us so we could have the footage.”

Bird smiles at the memory. “Then when we stopped the show to do it again, he gets on the microphone and starts rocking Kid Rock’s ‘Sitting Here Wasting Time.’ It was incredible to see a 77-year-old guy rap to a slow drum beat. The crowd went bonkers. I’ll never forget that. We were so proud to earn his respect.”

Baptized In Bourbon doesn’t stop there. The guys spin parallel stories on successive tracks, featuring male and female archetypes that their blu-core followers can recognize. “‘Renegade Rides Again’ says that you don’t know when the life we’re living is going to catch up with us. Then you go to ‘Hell On Heels,’ which is about some of the girls we’ve met,” Tex says, with a knowing laugh. “It’s pretty much all a true story. We don’t even embellish it. But that’s what happens when you run in this type of circle.”

This is the music that Moonshine Bandits will take on the road later this year, most likely on a bus tour this time. Maybe it’s a bit of a risk to mix the sacred and profane, the rowdy and the introspective, on record and then onstage. But the payoff here is twofold: Their music demands attention from first note to last. And because they enjoy a strong mutual trust with their fans, honesty is essential to that bond.

“I’m away from my wife and kids,” Tex sums up. “My partner has lost numerous fiancees because of this ride. Yeah, we’re out partying — not too crazy to where we’re out of control. And Bird’s dad is a preacher. So sometimes we do wonder if this lifestyle is acceptable. But this isn’t just about our lives. It’s a universal thing.”

At heart, we’re all blu-core. We all hear some of our truth in what Moonshine Bandits are throwing down. Maybe it’s time for us all to be Baptized In Bourbon.

OUR LINKS

• Moonshine Bandits Homepage
• On Facebook

Amber Delacruz

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BLACK FLAG

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Line Cutters

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Gutter Demons

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Ghost of Grandads Past

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Kool & The Gang

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The Phantastics

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The Phantastics are a eight member musical ensemble that specializes genre-blending hip-hop. Expect to hear rock, rap, dance, funk, jazz and soul in our music. We were formed in December of 2010 and have been trying to save live music ever since.

thePhantom*- Lead Spokesman/Vocals / Bowties
Leigh Gibbs - Vocals/ Soul Sista lovin'
JJ Cantrell- Lead Guitar/ Vocals/ Nipples
Danny Florez- Elictric Bass/ Vocals/Kill Streak
Ashley Thompson- Drums / Twizzlers
DJ Mitchell- Saxophone/ Karate chops
Tim Pistone- Percussion / loaded brownies
ZSonic Bailey- DJ / busted ear drums
Austin Quick-Keyboard / Bee Gee

OUR LINKS

• The Phantastics Homepage
• On Facebook
• On Twitter

The Growlers

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From their first LP Are You In or Out?(2009) to their latest LP Casual Acquaintances
(2018), The Growlers have forged their own twisted path on the global music scene. They’re the party band that grew into a traveling circus that spawned their own hit event, Beach Goth. Lead singer Brooks
Nielsen draws a particular devotion among Growlers fans, as does chief cohort Matt Taylor, The Growlers’ music director and lead guitarist. The band's 2016 LP, City Club, produced by Julian Casablancas, saw them expand their palette to include West African, dance and electronic influences.

OUR LINKS

• On Facebook

BRONCHO

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Elton Dan

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Gypsies

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Matt Wilson & His Orchestra(from Trip Shakespeare)

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Vein

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Soft Kill

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Higher Power

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Modern Color

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Monsters of Mock

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Featuring music of The Cars Heart and Bad Company

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The Melvins

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The Melvins return with the new album Pinkus Abortion
Technician (April 20, Ipecac Recordings), featuring both ongoing Melvins’ bass player Steven
McDonald (Redd Kross, OFF!) and Butthole Surfers’, and occasional Melvins’, bottom ender Jeff
Pinkus on bass.

“With our upcoming release, we double your bass player with Steven McDonald AND Jeff
Pinkus holding down the bottom,” explains Dale Crover. It’s an experiment in the low end of the
aural spectrum where we asked ourselves, ‘would it work?’ ‘could it work??’ ‘should it work???’
The answers were yes, yes and YES!”

“We’ve never had two bass players. We’ve had two drummers and two guitar players so it
makes total sense to now have two bass players, adds Buzz Osborne. “We’ll be taking this two-
prong bass attack on the road as well which should prove to be interesting. Pinkus Abortion
Technician is a radically great record and was a stone groove to record. We drank a lot of coffee and enjoyed each other’s company. I like Steven and Jeff a great deal. I admire their bass playing and singing and both of them can grill a mean steak.”

Pinkus Abortion Technician tracklist:
1. Stop Moving To Florida
2. Embrace The Rub
3. Don’t Forget To Breathe
4. Flamboyant Duck
5. Break Bread
6. I Want To Hold Your Hand
7. Prenup Butter
8. Graveyard

“Stop Moving To Florida” is a medley of the James Gang’s “Stop” and Butthole Surfers’ “Moving
To Florida,” the band also covers the Beatles’ “I Want To Hold Your Hand” and Butthole Surfers’
“Graveyard” on the eight-song release. Pre-orders will be announced soon.

The Melvins have also simultaneously announced a 10-week North American tour, kicking off
on April 26 at the Casbah in San Diego. The tour will feature the Melvins as a four-piece with
both Pinkus and McDonald joining Osborne and Crover.

OUR LINKS

• The Melvins Homepage
• On Facebook
• On Youtube
• On Spotify (Will launch Spotify Application)
• On Twitter
• On MySpace

Horse Jumper of Love

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Slow Mass

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Supersuckers

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You’ve heard our name, you’ve seen our records, our t-shirts and our stickers. We’re probably the favorite band of someone you know and yet we’re still a mystery to you. Well my friend, that’s okay, I’m here to fill you in and help you to get to know the greatest rock-n-roll band in the world, The Supersuckers.

Our story is almost impossible to believe. This band is literally a human cartoon. We all grew up among the dead-ends and cactus needles of Tucson, Arizona and have known each other since grade school. We graduated from the same high school together at the same time (a school immortalized in our song “Santa Rita High”) and we chose to play in a band together because we liked to hang out together, not because we were great musicians or anything. I truly believe that a band is defined by their limitations, that what they can’t (or won’t) do is just as important as what they can do. I guess that, in this era of pre-fabricated, put-together-to-have-a-hit bands, we’re kind of an aberration and I gotta tell ya that that makes us smile a little every day.

We formed the band in 1988 and we were initially a five piece called The Black Supersuckers ( a name found in some quality “adult literature” we had laying around in our impeccably clean band house!), with me on bass, Dan “Thunder” Bolton and Rontrose Heathman on guitars, Dancing Eagle on drums and a lead singer by the name of Eric Martin. After firmly proving ourselves to be the best band in town we decided it was time to get out of Tucson and try our luck somewhere else. So we tossed a coin with heads as New Orleans and tails as Seattle. Tails it was and in May of “89 we packed up and went north.

We had no idea that Seattle was about to become “Rock Mecca USA”, we just wanted to go somewhere where we could wear our leather jackets a little more often. It was exciting and encouraging to see all of the great bands there, doing their own thing and making some kick-ass, aggressive rock-n-roll that we could relate to, so we started recording immediately. After some classic “creative differences” with our lead singer, we decided to try it as a four piece with yours truly as the singer (I was the only one who knew all the words) and The Supersuckers, as you may or may not know them today, were born.

Our first recordings as a four-piece wound up on various singles for small labels and then were compiled for a C.D. called The Songs All Sound The Same. (For the full story on these recordings I highly recommend picking up the re-issued version on our own label, Mid-Fi Recordings). But it was our live shows that caught the eyes of the good people at Sub-Pop Records and, after a particularly scorching show one night, they offered to put out our records. We said ,“Buy us some beer and you got a deal!” And our long and enduring rock-n-roll ride was officially under way.

Starting with 1992,s “The Smoke Of Hell”, we released a total of three rock records, one country record, split singles with Steve Earle and The Rev. Horton Heat, countless singles and a “best-of” double album (all on Sub-Pop,) then we put out what is considered to be our finest recorded moment to date “The Evil Powers Of Rock-n-Roll”(Koch/Aces & Eights) in late 1999. We’ve also been touring our asses off all over the world with bands like Mudhoney, Social Distortion, Bad Religion, The Ramones, Motorhead, The Toadies, The Butthole Surfers, The Reverend Horton Heat, The Dwarves and White Zombie. We’ve played a couple of Farm Aid shows and backed Willie Nelson on The Tonight Show. Our music has appeared in T.V. shows (Beverly Hills 90210), Movies (Baseketball, Hype) and commercials (Mountain Dew) as well as countless snow and skateboarding video compilations.

Throughout this entire time, our sole mission has been to create and perform timeless, quality music and get as many people as possible to hear it. That goal has never changed. The pursuit of that perfectly imperfect rock-n-roll moment is all we’ve ever been after. We’ve been doing this for well over a decade now and we’re just getting started.

2001 found us starting our own label; Mid-Fi Recordings. We’ve finally decided to take control of all of our affairs and have become a lean, mean, self managed, totally independent rock-n-roll machine. We’ve got the greatest fans in the world and no one cares more about them and our music than we do. Having our own label gives us the freedom to make more of our music available to them without the hassles of “the middle-man” worrying about things like “marketing” or “demographics”. Hell, these are just hard words. All we want to do is get some kick-ass music out to the people and with Mid-Fi we have been able to do just that. Our first release was a live country record entitled “Must’ve Been Live”, that came out in March, 2002. Since then, we have dug into our “private reserves” and released several singles of some our finest outtake stock (a habit we intend to keep). We’re also planning some split singles with other great artists, the first one being “Never Go Home” by The Hangmen b/w “Flyin’ Into The Mid-Day Sun” by the ‘suckers.

But, by far the most exciting thing we’re doing now is gearing up for the release of our new rock record, Motherfuckers Be Trippin’. It’s the perfect follow up to The Evil Powers Of Rock-N-Roll and will be available to rock your ass on April 22, 2003. We feel better about this record than any we’ve done to date, which is amazing for a band that has been around as long as we have, and we know you’ll dig it as much as we do. It truly seems like we’re just getting the hang of this music making thing!

So, the next time you see The Supersuckers name, whether it’s in the record store or on the marquee at your local nightclub, know that there’s some quality, honest, ass-kicking, hard working individuals in there, trying to make your life a little better through the “Evil Powers Of Rock-n-Roll” (and the occasional detour into the country of course) and we’d love nothing better than to have you there with us. Just remember to wear you clean underwear, because we’re gonna rock your pants right off of you.

Rawkously Yours,
Eddie Spaghetti

Crowning achievements of rock-n-roll glory
•Performed on “The Tonight Show with Jay Leno” backing Willie Nelson
•Played Woodstock 2000
•Played Reading/Leeds festivals
•Toured extensively throughout the world including Russia, Japan, Australia, etc...
•Recorded with Eddie Vedder of Pearl Jam, Steve Earle, Willie Nelson, Kelley Deal of The Breeders

OUR LINKS

• Supersuckers Homepage

Tycho

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Poolside

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Reverend Horton Heat

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It’s true that the Reverend Horton Heat have been called a great many things over the course of their storied career: Perpetual Carriers Of The Rockabilly Flame, Genre-Shattering Problem Children, Filthy Drunks, and The Most Electrifying Live Act In America (150 shows every year can’t be wrong). But whatever you happen to call them, their country-flavored punkabilly and onstage antics have brought the Reverend Horton Heat a strikingly diverse fan base and a devoted cult following. The Rev himself, aka Jim Heath, leads the way with signature guitar riffs, while pounding out the bottom notes (often on top of) his upright bass is Jimbo Wallace, while Scott Churilla keeps time on the drums.

OUR LINKS

• Reverend Horton Heat Homepage
• On MySpace

Delta Bombers

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Pretty Pink

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PRETTY PINK·FRIDAY, MAY 10, 2019
Emerging from the woods of the Harz in Germany, Pretty Pink has made her mark with her natural distinctive sound and self-made empire.
The versed German DJ, artist and producer captivated people’s attention on a global scale with her relentless drive and passion for her craft. With an ever-changing yet consistent sonic delivery, she is always trying to find a way to take her artistry to the next level. Her recording debut arrived in 2013 with an unforgettable edit of Daft Punk’s ‘Get Lucky’, which demanded the attention of the deep house scene with her uncanny ability to create instantly astounding dancefloor records.
With releases on Armada, Found Frequencies, Suara, and more, Pretty Pink’s impressive discography boasts a variety of sounds bound to please electronic music lovers across the board. She has taken her sound on stage to over a hundred cities worldwide and is planning to extend her journey into North America soon. Playing alongside respectable tastemakers at a myriad of revered venues in her homeland and enchanted the crowds - Nature One, Sonne Mond Sterne, Airbeat One, New Horizon, World Club Dome and more - her loyal fanbase and bookings began to skyrocket.
Her rise to the top is a result of her ever-present work ethic. Having acquired millions of streams across all streaming platforms, along with a self-launched record label WANDERLUST, bi-weekly Radioshow DEEP WOODS, and her own event brands, Pretty Pink has made her work a never-ending party.
With support from distinguished publications like Dancing Astronaut, EARMILK, WARP, Magnetic Magazine, or DJ Mag Mexico, Pretty Pink has cemented her position as one to watch. Her summer record ‘PURE’ in 2018 landed support from industry heavy-hitters, Lane 8, The Mambo Brothers, Lost Frequencies, and WhoMadeWho and still climbes the Beatport Top 100. Her latest track “OVERRATED” (Found Frequencies Records), gained over 500k streams just after one month on Spotify! So, there’s no question that Pretty Pink will continue to command the scene, not just domestically but on a global scale.

OUR LINKS

Soccer Mommy

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Brick + Mortar

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Brick + Mortar is a two-piece indie pop outfit from Asbury Park, NJ. The duo consists of Brandon Asraf (guitars/vocals/programming) and John Tacon(drums/programming). Best described as controlled chaos, the band combines choppy rhythms, smooth bass lines, tempestuous drumming and honest lyrics, all of which culminates in something that is just as likely to show up on an indie up-and-comers list as it is to show up on a DJ’s playlist – something that is evidenced in the band’s role as a remix magnet for artists such as Baauer. Brick + Mortar is one of the few bands who can conjure up images of both carousels and cocaine, combining dancy with dark and pop with despair.
Speaking in an article with VICE Magazine, Asraf says of their most recent music video for Bangs, “The story is my chance to be in [my father's] world and tell a conglomerate of a bunch of stories I’ve heard.” The result is a gripping video reflective not only of Asraf’s father’s violent past as an international fugitive, but also of the sometimes ominous and abrasive tone of the new EP.
Coming off of the release of their EP, “BANGS,” Brick + Mortar is touring relentlessly, opening for Imagine Dragons, Icona Pop, and Jimmy Eat World, as well as performing in the summer festival circuit at mainstays including Made in America, Loufest, and Lollapalooza.
In a time where purists patiently await the return of rock and roll, Brick + Mortar is gifted enough to combine exciting elements of each genre with their no-bullshit approach to songwriting.

OUR LINKS

• Brick + Mortar Homepage
• On Facebook
• On Twitter

Dentist

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Goddamn Gallows w/Scott H Biram

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Rings of Saturn

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Enterprise Earth

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Angelmaker

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Brand of Sacrifice

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ZoSo (The Ultimate Led Zeppelin Experience)

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Tauk

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Hippo Campus

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Hippo Campus is four Minnesotan boys making music that is simple, joyful, and thematically soaked with the sense of cynicism accompanying the youthful search of self-meaning.
The band’s debut EP, ‘Bashful Creatures’, is set for release November 18, 2014. Recorded over two days at Pachyderm Studios in Cannon Falls, MN, the EP was produced by Low’s Alan Sparhawk.
With the philosophy that there is beauty among thorns, Hippo Campus presents the world of Bashful Creatures...
Kids, Adults, Youth, Age, Tumblr, and Cigarettes. Boots, Younger brothers. Older brothers, Brothers from other mothers, Summer, Friends, alcohol, drugs, and a touch of Boredom. Heterochromia, Heterosexuals, Teachers, English class Ratchet-ness, Lips, and Dancing in Tank tops. Sneaking out for Friends, Sex, Art, but mostly just art school girls. Playing with Guns, American exceptionalism, “Suicide," Shyness, confidence, and Grace.
With love, Beans, Espo, Stitches, Turntan.

OUR LINKS

• Hippo Campus Homepage
• On Facebook
• On Spotify (Will launch Spotify Application)
• On SoundCloud
• On Twitter

John 5

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with special guest

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Jared James Nichols

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With Confidence

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Seaway

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Between You & Me

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Doll Skin

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